It wasn’t about mixdowns or the best productions, it was about vibes. Then Digital carved the scene in half with Deadline. I wanted my own voice but felt I couldn’t do that because everything sounded generic similar pre-sets, similar arrangement, similar mixdown, similar sounds. It was round the 2000 mark and everything was designed for the dancefloor with a very set template and arrangement,” he explains. ![]() “Drum & bass had become so generic and sterile for me. Amit’s pretty humble about it and is more comfortable citing Digital and a general malaise at the turn-of-the-century sound of drum & bass. Talk to anyone involved in halftime and they all cite Amit as one of the subgenre’s earliest innovators. ![]() Sometimes all it takes is for a few people who are tired of being comfortably numb to fight those rules.
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